Understanding intangible cultural heritage preservation strategies through intercultural theatre theory: A case study of Ombak Potehi performances / Liu Yueyang

Liu , Yueyang (2025) Understanding intangible cultural heritage preservation strategies through intercultural theatre theory: A case study of Ombak Potehi performances / Liu Yueyang. Masters thesis, Universiti Malaya.

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Abstract

This study explores the innovative forms, performance styles, and dissemination pathways of traditional Chinese puppetry in Malaysia, with a specific focus on its development in the Penang region. With the migration of Chinese communities to the Nanyang region, various traditional Chinese art forms, including puppetry, were introduced to Malaysia, particularly in Penang. Locally known as "Potehi" in the Hokkien dialect, puppetry has adapted over time to thrive in Malaysia’s multicultural environment. To take root and endure, foreign traditional cultures must embrace adaptation and innovation to keep pace with changing times and address the challenges of cultural integration. In response to these dynamics, a group of passionate young individuals in Penang emerged to revitalize the art of Potehi. Guided by seasoned performers, these young enthusiasts learned the traditional craft and eventually established the Ombak Potehi troupe. By integrating traditional Potehi techniques with other performing arts, they have successfully driven the transformation of this heritage art form. Using a qualitative research approach, this study takes the Ombak Potehi troupe as a case study and examines their performance modes through on-site fieldwork in Penang. The research focuses on three main objectives: first, conducting field surveys to collect data on the troupe’s history and organizational structure; second, analyzing new performance techniques through observations and interviews to understand the current intercultural performance forms; and third, investigating the troupe’s modern communication strategies. The findings reveal that the Ombak Potehi troupe exemplifies modernity and innovation in both their background and operational style. While retaining traditional elements, their performances incorporate a range of influences, including Malaysian cultural features, Taiwanese opera styles, and Japanese puppetry techniques. This includes scriptwriting, dialogue delivery, and music arrangement, as well as updating stage structures and experimenting with modern theater. These efforts in intercultural adaptation have enriched the presentation of puppetry, making it more relatable to local audiences while fostering cultural exchange and understanding. Additionally, the troupe’s innovations extend to their communication strategies, utilizing media, online platforms, and public workshops to broaden the reach of this traditional art form.

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